Global Themes – Curating Zoe http://zoekatz.agnesscott.org A portfolio of my time at Agnes Scott College. Tue, 18 Dec 2018 20:29:44 +0000 en hourly 1 https://wordpress.org/?v=5.1.1 http://zoekatz.agnesscott.org/wp-content/uploads/2017/04/cropped-Screen-Shot-2017-04-25-at-11.47.23-AM-32x32.png Global Themes – Curating Zoe http://zoekatz.agnesscott.org 32 32 Chicken Soup for the Polish Soul http://zoekatz.agnesscott.org/writing/chicken-soup-for-the-polish-soul/ http://zoekatz.agnesscott.org/writing/chicken-soup-for-the-polish-soul/#comments Tue, 08 May 2018 22:08:13 +0000 http://zoekatz.agnesscott.org/?p=284 I am four thousand, nine hundred and forty-five miles from home. On the wooden table in front of me, there is a bowl of chicken noodle soup. The soup is simple and inconspicuous, but I am staring at it as if I have never seen a bowl of chicken noodle soup in my life. When I lift the spoon to my lips, the fog steaming my glasses, and taste the savory broth, I nearly burst into tears. I am four thousand, nine hundred and forty-five miles from home, but somehow, my mother is in the kitchen of this small, Polish restaurant, and she has made this soup for me. Either that or this restaurant has stolen my mother’s recipe.

On May 18, 1899, my great-great-grandparents, Michelina Mickelsky and Martinus Rusiecki, arrived in Philadelphia, Pennsylvania from Warsaw, Poland, via Antwerp, Belgium. They settled in Luzerne, Pennsylvania, to work in the coal mines. In 1911, Michelina gave birth to my great-grandmother, Frances. In 1939, she gave birth to my grandfather, John. In 1963, his wife, Judith, gave birth to my mother, Laura. We are Polish through and through– after all, my mother is only three generations off the boat.

On my mother’s side of the family, our Polish heritage is strong. It is evident in the Catholicism she practices, in the way bits of Polish slip into her speech, but most visibly, in our food.

Regardless of the time of year, a rainy day means pierogies. Kielbasa is our preference, over hot dogs. Horseradish is ever-present on our refrigerator door, despite no one actually enjoying it.  

The home-made cookbooks that my mother received from my great-grandmother fill glass cabinets above the marble countertops. Inside these aging, hand-bound books, are yellowed recipe cards. Sometimes, the words change from English to Polish mid-sentence, as if whoever wrote them couldn’t find the word outside of her mother tongue. Sometimes, the words are indiscernible altogether. On some cards, there are red-purple stains that look (and smell) suspiciously like horseradish, despite no one actually enjoying it.

I never understood how unchanged and genuinely Polish my food was, until I traveled to Poland, and experienced it for myself.

Just like I hadn’t been to Europe before, I have never traveled in a group. Nor have I traveled with people my age. We clash almost instantly. I’m here to find my heritage. They’re here to vacation. It’s evident in our approaches to food.

My peers look curiously at our hotel breakfast. They don’t seem to understand why, exactly, there are four different kinds of sausages on offer. I, on the other hand, pile my plate high with Kielbasa, and I exclaim in delight when the first taste of savory, spicy pork hits my tongue.

My peers are anxious to eat the pierogis at lunch, at a crowded, overfilled restaurant tucked behind a bustling, cobblestone Warsaw street. The dumplings are stuffed full and overflowing with mushrooms, onions, potatoes, and meat, and cooked to perfection, their edges just slightly browned. As I bite into them, all I taste is the familiar; a home cooked meal on a Thursday night, my mother wearing an apron that proclaims OUR LADY OF ANGELS CATHOLIC CHURCH, listening to NPR and poking impatiently at pierogies in a sizzling, spitting skillet.

My peers decide to eat American food for dinner. Instead, I am on the hunt for the Polish street food I remember from Church bazaars, the smell of grilled onions and smoked meat filling the air as I jumped on the bouncy houses with my friends from school. I find a stand that sells Kielbasa on white bread smothered in sweet, juicy onions, and slathered in brown mustard.

My peers get ice cream for dessert, but I’m on the hunt for Paçzki, massive, fruit-filled doughnuts that my mother gets for us every Fat Tuesday. The confection is covered in powdered sugar, and I have to hold it with two hands, like a real American cheeseburger.  

You’ll get sick off of that stuff, my peers say, turning up their nose as I lick sweet fruit off my sugar-covered fingers, or I stuff some escaped onions back into my makeshift sandwich, or push potato back into the pierogi, or add another sausage to my breakfast plate. The food is too heavy; it’s too rich.

I won’t get sick. Like a world-class athlete, I have been training to eat this food my entire life.

Just like my Polish heritage is influenced by my father’s Judaism, Polish cuisine is also heavily influenced by the centuries-old Ashkenazi Jewish population of Poland.

Before World War II, Poland had the largest population of Jews in Europe, and the second-largest population in the world, outside of New York City. I am surprised by how seamlessly the two cultures blend; from the latkes served with my pierogies, to the Matzo ball soup served as an appetizer for my kielbasa dinner. The simultaneous Ashkenazi and Polish diet of cabbage and onions and potatoes intertwine, coming together like the Ashkenazi and Polish double helix that is my genetic code.

Even the bagel, the most ubiquitously Jewish food, was invented on the streets of Krakow. On a rainy morning in the Cloth Hall of Krakow, I eat the very first bagel. It tastes like every bagel I’ve eaten before– and I’ve eaten a lot. I’m a New York Jew, after all.  

This cloth hall and this bagel have been around since the 13th century. Maybe my ancestor once pulled a wooden cart across these uneven cobblestone streets. Everything in Poland seems like a memory of a past life, of places I’ve visited but never have seen.

In Auschwitz, I have apple cake with lunch. Apple cake, to me, is a rarity outside of Christmas dinner. The cake-pie hybrid is crisp and refreshing and tastes infinitely better than the water-without-gas I’ve been drinking. I’m dehydrated from all the tears I have cried.

As we return to our tour, we leave a barrack and enter a courtyard that was used as shooting grounds for thousands of helpless prisoners. In the middle of the gravel, bullet-riddled, brick-surrounded square, I see my mother’s second cousin, Pam.

Speechlessly, I walk over to her. We both have earphones in, listening to our separate tours. I wave. She looks shocked, before hugging me. My professor, Dr. Kennedy, looks concerned, before I say, excitedly, that this is my cousin.

I knew they were in Poland at the same time as me, but I never imagined to see them 4,945 miles from home. They live in North Carolina. I live in Georgia. We’ve only met once, when I was six, at my great-grandmother’s funeral, in Pennsylvania.

Yet here we are, in a death camp, in Poland.

When I return to Krakow, I meet my mother’s second cousins in the Old Square for dinner. We find a restaurant, and order soup prior to our meals. It’s like I’m at a family reunion. Pam and her husband, Robert, ask me about my trip, about college, about my plans for the future. They ask me what I thought about Auschwitz. They’re curious as to how I felt– they know my dad is Jewish. They heard my grandfather passed away last fall– how is my mom doing?

We’re served chicken noodle soup. It’s identical to my mother’s, down to the spices and long, spaghetti-like noodles.

My mother’s second cousin and I lift our spoons to our mouths and moan in delight. “Wow,” She says, smiling at me. We have the same chin, the Danielowicz chin. “This soup tastes just like my mom’s.” It doesn’t just taste like her mom’s soup, or my mom’s soup, or our Great-Grandmother’s soup. It tastes like Poland. It tastes like home.

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In This Desert http://zoekatz.agnesscott.org/writing/in-this-desert-2/ http://zoekatz.agnesscott.org/writing/in-this-desert-2/#respond Tue, 08 May 2018 22:00:45 +0000 http://zoekatz.agnesscott.org/?p=279 What will you tell strangers seated on the hard-packed earth, underneath a never-ending sea of stars? What will you say to these people that you met six days ago, at the Hartsfield-Jackson International Airport? What will you tell these people, some of whom speak Hebrew as their native language, and have spent their whole lives in this country that seems, at once, so foreign and familiar?

In this desert, who will you become?

Taglit-Birthright Israel (or, in Hebrew, תגלית) is a non-profit that organizes free, ten-day trips to Israel for any person of Jewish heritage between the ages of 18-26. This trip, often called a gift, was founded in December 1999 by a group of Jewish Philanthropists. These Philanthropists, led by Canadian Businessman Charles Bronfman and American Hedge-Fund Manager Michael Steinhardt, aimed to bring Jewish young adults together as a community by sending them to Israel.

Nearly 800,000 young adults of Jewish Heritage have received the gift of a Birthright trip. These young adults come from 67 countries, are diverse in language, age, and religious beliefs. Some don’t know they are Jewish until they are told so, as is the case of many Birthright participants from the former Soviet Union. Some have traveled to Israel many times, speak Hebrew fluently, and don Tefillin three times a day to pray.

The only requirement to receive the gift of a Birthright trip is that you be between the ages 18-26, have not visited Israel on an organized tour in the past twelve months, and have at least one parent that is Jewish.

In December 2017, I met these three criteria. Alongside my brother and 38 young adults from the Greater Atlanta Area, I departed the United States for a free, ten-day trip to Israel, that claimed to change my life.

“Take ten steps forward. Do not go further than ten steps. One time, a boy went further than ten steps, fell asleep, and we spent an hour looking for him.”

The instructions we receive as we nervously step away from the group ring in my ears. I do not want to walk ten steps away; I don’t want to walk two steps away. How can I walk away, when you just told me that a kid almost got lost and died? Still, breath hanging in the freezing air in front of me, I walk one, five, ten, steps away towards a small bush and gingerly sit on the ground.

The vastness of the desert is daunting. Who got lost in this desert, walked for days, months, years, before eventually collapsing into the earth and dying? The dirt under my back is hard and unforgiving. I imagine how it must have felt in sandals, or barefoot, the small rocks that have been rounded smooth by millennia of erosion.  

The same voice that tells us not to walk too far, our guide, Ya’acov, tells us to look into the stars and let our minds wander, just as the way our ancestors did when they roamed the desert two thousand years ago.

I look up, and my vision blurs. The scarf that I’ve tucked my chin into is causing my glasses to fog with every breath of hot air, making the stars above look more like headlights in the rain, rounded and duplicated. Gloved-covered hands reach for the frames, wiping them before placing them back on the bridge on my nose.

Before me, a galaxy blooms, the moon illuminating the yellow-orange sand in a wash of pale blue.

For the 40,000 young adults that the Taglit-Birthright Israel program delivers to the desert nation every year, thousands more have critiqued the trip. Birthright is often called propagandistic and racist. Much of the criticism of the trip stems from greater disapproval of Israeli government and army, the Israeli Defense Force (IDF).

A Harvard Crimson Op-Ed from Sandra Korn, a student who went on a Birthright trip, criticizes the inherent political influence of the trip. Korn writes, “Birthright’s idea of engaging with Israel means supporting an illegal and oppressive military occupation, claiming citizenship to a state that deports African immigrants, glorifying ‘the Jewish mind,’ and decrying all Arabs collectively for their hateful terrorist tactics.”

Ellie Shechet, in the feminist magazine Jezebel, provides a different critique of Israel, especially since she had been to Israel previously, and was able to contrast her first visit to Israel as a sixteen-year-old and a trip as a young adult with Birthright. Shechet offers her opinion of the partying, the exhaustion, and the shiny, Disneyland-esque tourism of the trip. She criticizes that Birthright doesn’t provide a comprehensive critique of Israel. Shechet says it is “nearly impossible to come out of it with any kind of unified sense of your own experience, much less a sophisticated take on a society that’s only revealed its shiniest, most digestible bits,” thanks to the “sleepless, jam-packed nature of the trip.”

“Doesn’t Israel want its supporters to be educated enough to hold their own in a debate, even that education brings with it potentially unwelcome ideas and criticisms?” Shechet writes. “From what I’ve seen so far, the answer is no.”

I now see why Ya’acov has warned us against wandering too far away and falling asleep. The beauty of the night sky entrances me, and soon, the exhaustion washes over me, and I feel my breathing lull and my eyes began to flutter shut.

I’m startled awake by someone in my group coughing. We’re so near to each other that I know my new friends will find me. I can’t get lost, not when we’re so close.

The trip takes young adults across a country roughly the size of New Jersey. Most tours follow a general outline that highlights the history of Israel, from it’s founding in an art museum in 1948, the heritage of the Jews in the Internation Holocaust Memorial and Museum, and the natural beauty of Israel, from the mountains to the lakes to the seas.  

My trip started in the Golan Heights, territory acquired by Israel in 1967 after the Six-Day War. The Golan Heights is internationally recognized as Syrian territory occupied by Israel. It is heavily disputed as it contains the Sea of Galilee, the only freshwater lake in the region, as well as most of the arable land in Israel.

As the bus drives through the winding mountains and plateaus, I see landmines, and the members of the Israeli Defence Force detonating them. The bus passes bombed-out homes and shrapnel littering the fertile landscape. Yesterday, the group hiked through a nature reserve and looked in awe at the Galilee glittering in the distance. The next, the group travels to Mt. Hermon, where bunkers are overlooking the Israeli-Syrian border.

As our guide tries to tell us about the Six-Day War, we hear gunfire and bombs from Damascus, visible in the distance. To our right, Irish and Canadian peacekeepers from the United Nations are stationed. I begin talking to the Canadian about hockey when he interrupts me. Israel is conducting training exercises near the border, and they must observe.

I realize that the U.N. Peacekeepers are not there to observe Damascus or Assad or rebel forces. They are there to watch the Israeli Defense Force. Israel, in this instance, is the threat.

It’s only day two of the trip.

There is a rock pressing in the middle of my back, but I am so in awe that I will not move to ease the discomfort.

The moon is so massive that it looks impossibly close, and the condensation on my glasses causes it to twinkle, the light shifting and dancing overhead. The stars are innumerable, and I try to use my rudimentary astronomy skills to pick out the planets and stars I know. I can see Orion’s belt, and if I squint, I can see what I think is either Mars or Venus. For an instant, I think I see a shooting star, but the sound soon catches up to me, and I realize it’s a fighter jet.

Ya’acov calls ten minutes, and numbly, I rise from the dirt and walk back to my group, 47 in total. The group creates a circle, our legs criss-cross, shoulder-to-shoulder.

“What did you think about?” Ya’acov’s comes from somewhere outside the circle, but I don’t know from where.

One by one, my peers begin to share.

Five days into our trip, seven Israelis our age join the group. This experience is called a Mifgash (Gathering) and is ubiquitous to the Birthright experience. Like us, our peers are between the ages of 20-26, love Instagram and Snapchat, and sing along to Cardi B on the bus.

Unlike us, our peers are currently serving in the Israeli Defense Force. Some patrol the West Bank, some fight in Gaza. Some work by gathering intelligence for Mossad, the most notorious spy agency in the world. They dress in green uniforms, berets carefully placed on their heads, their hair shorn or tied back into tight braids and buns.

“37 days until I get out,” Lital, 20, says, a grin stretched across her face. “Then, I’m going to Brazil with my boyfriend.”

There is mandatory conscription for able young adults in Israel. Instead of graduation photos, in 37 days, Lital will take pictures of her throwing her beret into the air and cutting up her military ID card. She is trained to shoot semi-automatic rifles. She hasn’t been to college. She knows how to salute and how to run through the desert with a weapon on her back. Her life is so different than mine.

Lital and I become fast friends, along with Alona, 21, who works with Lital in the intelligence arm of the IDF. The first night of the Mifgash, I room with Alona, and my other roommate asks her about violence against Palestinians. It’s not precisely the getting-to-know-you type of conversation.

“I think there needed to be more serious punishments,” She says, before telling us the story of Elor Azaria, a 21-year-old soldier who shot and killed an already wounded Palestinian while medical help was on the way.

“The guy,” Alona tells us, referring to the now-dead Palestinian, Abdul Fatah al-Sharif, “Came and stabbed Elor’s best friend. The soldiers shot him in the foot, incapacitating him, and called for the Magen David [Israel’s Emergency Services]. I guess Elor got mad and then he shot him in the back while he was down.”

The incident that Alona is referring to made international headlines for dividing Israel politically. Many wanted to see Azaria locked away for murder. Others said he shouldn’t spend a day in jail. He ended up spending eighteen months in prison, a sentence which received criticism across the world.

“I think he should have gotten a longer sentence,” Alona says, carefully. “But I also understand it. He was eighteen. His best friend got stabbed. He was angry. We all do stupid things when we’re angry.”

“Two days ago, one of my campers died in a plane crash,” Leah says through tears, sobbing into the circle. I walked in on her in Tel Aviv, crying in the bathroom, after the news broke that two families died in a plane crash in Florida. Both the kids involved in the tragedy were campers of Leah’s.

Beside her sits Joelle, who also knew the family. Her gloved hands circle the fabric of Leah’s jacket. I can see the tears on their faces, illuminated by the moon above.

Slowly, the blase comment about ‘having so much fun I had no time to write in my journal!’ dies on my tongue. I know that here, with these people, I must be honest. Not only does my friendship with them deserve honesty, but it seems as though the desert demands it.

We hike Masada and swim in the Dead Sea. We sob at Yad Vashem and pray at the Wailing Wall. We sing HaTikvah in the hall where David Ben-Gurion founded the state of Israel and then left stones on his grave. We clutched each other at the military cemetery, Mt. Herzl, as our new friends in the IDF tell stories about their friends who have died while serving. They tell us stories about Americans who have immigrated to Israel and served in the IDF and died. We visit Theodor Herzl’s grave.

We talk about how close we feel to Israel, to our history, to our collective heritage. We cry and laugh and sing. We play endless games of cards on long bus rides and promise to get brunch when we return to the United States. We have our inside jokes, and they go on a t-shirt, which we wear with pride.  

The trip is a whirlwind. It’s how Birthright trips are meant to pass.

Many people will argue that this leaves no time to think critically about Israel’s political situation, it’s colonialism in the West Bank or the state’s crimes against the Palestinian people.

In a hotel, in Jerusalem, a doctoral candidate in Middle Eastern Relations and Policy comes to present the history of Israel and Palestine. He is candid. He cites sources. He provides a detailed, unbiased, view of the Israeli/Palestinian conflict. He shows us how maps have changed. He tells us how many times Palestinian leaders have refused to work with Israeli peace offers. He shows us how Israel has committed war crimes.

When antisemitic comments on Facebook call Birthright ‘apartheid propaganda,’ they don’t know about that night in Jerusalem. They don’t know that the soldiers we were with criticized Israel. They don’t know about the nights we spent heatedly debating Israel’s foreign policy, whether or not they should give back the Golan Heights for peace or whether or not Israel should de-occupy the Western Bank. They don’t know that Birthright, for the most part, has tried to become better about presenting a neutral, pluralistic view of the Israel/Palestine conflict.

I am more than aware that Israel isn’t perfect. I’m reminded of the young nation’s imperfections in the media I consume and in the news I read. But on this trip, where I have made friends, learned about my history, grown closer to G-d, and became a Bat Mitzvah, is criticizing Israel really the point?

“I pick at my skin,” I say, my voice wavering, my hand reaching for my back as I do when I am anxious, though the movement is jutted and aborted. “I pick at my skin when I’m anxious, or bored. It’s a form of self-harm that I’ve done since I was diagnosed with depression when I was fourteen. And I was so worried this entire trip I wouldn’t be able to go in the Dead Sea today because the salt would hurt the open sores on my back.”

The group is silent. Beside me, Mitchell, who I met six days ago, holds my hand, woolen mittens clutching my knit gloves. I have never admitted this aloud before, but the desert demands honesty, and so does my love for my friends.

“But when I walked into the Dead Sea today, I didn’t feel any pain. The salt didn’t sting.” A tear falls from my cheek and wets the scarf wrapped tightly around my neck. “I was having too much fun with y’all to pick. I didn’t have to worry about anything. I was never bored. I’ve never gone this long without picking. And I did that because of y’all.”

In the desert, I am honest. And under billions of stars, holding hands with my new family, I am free.

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Cultivation: A Final Reflection http://zoekatz.agnesscott.org/coursework/cultivation-a-final-reflection/ http://zoekatz.agnesscott.org/coursework/cultivation-a-final-reflection/#respond Tue, 08 May 2018 21:48:58 +0000 http://zoekatz.agnesscott.org/?p=276 I didn’t know what to expect when it came to HIS-290: The Historical Imagination. I expected a traditional methodology course, much like POL-226, a ‘weedout’ course that taught me how to read and write for Political Science and International Relations. It weeded me out, and I dropped my International Relations major. In HIS-290, I expected long papers, analysis of primary source documents, and heavily-critiqued annotated bibliographies. There was certainly some amount of methodology instruction in this course, but it wasn’t entirely methodology, and for that, I was grateful.

In HIS-290, we researched public history and how it can be applied in our futures. We learned about possible careers for historians. We celebrated internships and critiqued public history projects. We learned about presentism and how to think with intent about history. While we wrote annotated bibliographies and outlines and typed metadata, there was a base layer to our work that should inform a globally-focused, engaging, and responsible historical education, one that is in line with the curriculum Agnes Scott College promises. The Agnes Scott History Department wants us to be able to write a 25-page senior seminar, but they also want to develop the future historians of the world, and that is evident in the coursework of HIS-290.

Why does the Agnes Scott History faculty want to create a different type of historian? I am positive that these classes exist at other academic institutions, but I assure you, their methodology classes are completely different. They are more like the POL-226 Methodology course: papers, intensive writing and research, and more papers. HIS-290 was not, nor is it ever intended to be, a weed-out course. It is intended to make students fall in love with history, to pursue it as a career path. Perhaps, as a small department, the History faculty doesn’t want to lose any students in an unnecessary weed-out process. But the intent behind the HIS-290 curriculum is much deeper than cultivating class size and graduating majors; the course wants to foster a lifelong love of history and develop responsible and engaging historians. The History faculty cares deeply about the futures that they nurture. Can that be said for other colleges?

Because of HIS-290, I am ready to approach my senior seminar from a new angle, one that takes into account all aspects, identities, and perspectives of the topic. I am ready to work in Historical Interpretation this summer at Old Sturbridge Village and encourage visitors to think deeply about the 1830s farm at which they are watching me churn butter. Furthermore, I am excited about how The Historical Imagination will inform my future, whether as a Historical Interpreter, a Social Media Manager, or as a Novelist, my true dream. To develop engaging and dynamic histories for the enjoyment of the public is a dream of mine, and I know that HIS-290 has prepared me well to achieve these goals.

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The Desert Poem http://zoekatz.agnesscott.org/writing/the-desert-poem/ http://zoekatz.agnesscott.org/writing/the-desert-poem/#respond Thu, 12 Apr 2018 17:59:46 +0000 http://zoekatz.agnesscott.org/?p=254 This poem I wrote about my Birthright trip to Israel. I went to Israel over winter break 2017-2018, and the trip had a profound impact on me. I don’t always write poetry, but sometimes I find it to be a wonderful way to get my thoughts on a page. This poem will be published in the Agnes Scott Literary Magazine, The Aurora.

G-d was found in the desert
We wander
Our souls weary and broken
Salt flats cutting into our soles

G-d was found in the desert
Our tongues dry
Our lips cracked, our stomachs empty
Aching, crying

G-d was found in the desert
Of a different kind
The cold winds of a Polish winter
Snow stretching for miles

G-d was found in the desert
In so many deserts
For so many people
For so many years

G-d was found in the desert
Maybe Moses walked here
Where I lay on the pale dirt
A rock pressing into my back

G-d was found in the desert
The night is freezing
I gaze into the stars
A million more than I’ve ever seen before

G-d was found in the desert
Religions are found in the desert
Heritage is found in the desert
And maybe I find myself

G-d was found in the desert, they say, and here, in the desert, I know.

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Creating Artport http://zoekatz.agnesscott.org/global-learning/creating-artport/ http://zoekatz.agnesscott.org/global-learning/creating-artport/#respond Sun, 25 Mar 2018 20:49:10 +0000 http://zoekatz.agnesscott.org/?p=235

In Fall 2016, I worked on a group project called Artport, analyzing non-traditional museums, global perspectives, and humanity within the Hartsfield-Jackson International Airport.

Creating Artport

Ever since I was a kid, I loved going to the airport, because it meant I didn’t have to sit with my parents and siblings in a car for a billion hours listening to NPR and eating trail mix that gave me a headache. As I grew older, instead of the excitement of flying in a plane, I loved airports for their efficiency. Flying out of Hartsfield-Jackson Atlanta Airport as many times as I have in my life, I came to realize that Hartsfield-Jackson was more than an extremely efficient, well-organized airport. Unbeknownst to me, Hartsfield-Jackson displayed hundreds of pieces of artwork and was home one of the largest Airport Art Programs in the country. It was fascinating researching and creating Artport for my final project, and I loved learning about the curation of a non-traditional museum such as the Hartsfield-Jackson Atlanta Airport.

The first step in our project was to outline our (my partner Courtney Serra and I’s) aims and objectives. We were interested in exploring the curation of the permanent and rotating exhibits of the Airport Art Program, but we also had a few questions that were the driving force in our project. How does art elevate the Hartsfield-Jackson airport? How do location and security affect the accessibility of the art? How do you curate a museum that no one is there to see?

The final question was what we discussed most with David Vogt, director of the Airport Art Program. Mr. Vogt took us on a tour of a few different exhibits in a variety of mediums, from multiple artists, all curated in different ways. He explained to us that art that was more complex was placed in areas where people often waited for long periods of time. An example of this was a collection of beautiful and dynamic pieces of art from the National Parks Service, located in the T-Gate terminal. This display not only had nature photographs, but intricate pieces of art, like sculptures, woven blankets, and works of an activist nature. They were curated alongside videos of artists explaining their work and mission. We saw numerous travelers looking at the art while waiting to board their planes. On the other hand, one of the most permanent exhibits, a collection of rock sculptures from Zimbabwe, were placed in an area with a large traffic flow where not many people stopped and looked at the art. This made sense, as the massive pieces were beautiful and eye-catching, and people would be able to enjoy the artwork even as they traveled on the moving sidewalks connecting gates.

It was interesting to talk with Mr. Vogt, and discuss with him the challenges and work that involves the curation and maintenance of a large art program. We learned that Hartsfield-Jackson has one of the largest collections of art in the United States, but unlike the San Francisco airport and others, Hartsfield-Jackson is not museum accredited, and thus often has trouble acquiring artists for their rotating collections. We also learned that the program often facilitates art sales between artists and travelers interested in the art. In the atrium, a photography exhibit had price tags next to the art, and Mr. Vogt told us that artwork from elementary schools and high schools were most often sold. Mr. Vogt also told us about a program within the airport that displays the work of airport employees, from retail associates to custodians. He said they get hundreds of works from thousands of employees.

In order to present what we learned from visiting the airport and talking to employees, we knew we couldn’t display our information in a powerpoint. We instead tried our hand at non-traditional curation and created a website. This was a much more interesting way to present what we had learned, and it allowed us to directly contrast galleries and works of art while showing larger images of the airport as a whole. This also allowed us to display quotes from readings that shaped the project, such as Berger’s Ways of Seeing and Karp’s Exhibiting Cultures: the Poetics and Politics of Museum Display in direct contrast with images, allowing for further understanding into the quotes we used and why we used them.

Creating the website also helped me reflect on the project because I had to return to the very beginning of our process to create the website. I had to sort through the many pictures I took and had to choose what was not only informative to the viewer, but aesthetically pleasing. Ultimately, this project was eye-opening. Not only did I learn about curation, but I also saw Atlanta and its culture in a way I had never seen it– through the airport. After finding and researching this not-so-hidden gem of Atlanta, I will never be able to fly into or out of Atlanta without giving a mini-tour of the artwork and describing all I have learned about its curation and importance. Now I will enjoy going to the airport even more than I did as a kid, and I’m thankful for that.

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Reflecting on Bridge to Business http://zoekatz.agnesscott.org/coursework/reflecting-on-bridge-to-business/ http://zoekatz.agnesscott.org/coursework/reflecting-on-bridge-to-business/#comments Sun, 25 Mar 2018 20:40:36 +0000 http://zoekatz.agnesscott.org/?p=231 While I no longer am a business major, nor do many of these goals remain true, I spent Summer 2017 as part of the Bridge to Business Cohort. This is my reflection from that course.

Realizing the Future: Bridge to Business Analysis and Reflection

When I first arrived at Agnes Scott College in August 2015, I knew what my future held. I was going to study International Relations, with a double minor in History and French. I was going to get a 170 on the LSAT and receive my dual J.D./M.A. in International Affairs from my dream school– Georgetown.

That dream abruptly ended when I realized how much I hated the methodology of International Relations, how little I wanted to be a lawyer, and maybe most importantly, how much I despised the thought of spending four years in grad school. But I had this dream ever since my ninth grade Honors Government class– what was I supposed to do now?

My advisor gently reminded me that I was working in a social media job, I was the social media or marketing chair for several organizations on campus, and my mother had her MBA in Marketing, my father, the same advanced degree in International Business. Maybe, she suggested, it was time to stop avoiding the obvious, and enroll in a couple business courses.

I immediately knew I made the right decision, even if I did feel like I was selling out. But how could I know for sure a career in business was right for me?

I had been interested in the Women’s Bridge to Business since before my first year at Agnes Scott– I received a pamphlet shortly after a visit to the campus in my junior year of high school. But as a Sophomore at Agnes Scott, I decided that it would be the final test– a confirmation of whether or not I was sure I would study business.

The good news is, I am now positive that I want an MBA. The even better news is that I want to receive that MBA at Georgia Tech’s Scheller College of Business (or Chicago’s Booth School of Business, like my dad). Opportunity is in Atlanta, and that is abundantly apparent after my three weeks in the Bridge to Business program.

It was hard to choose which functional areas I was most attracted to over the course of the program. I think my favorite was Marketing because I feel as if I have a natural affinity for it, but I was also fascinated by Project Management and International Business. I think this may lead to a future in Brand Management, something I have always found interesting and a natural progression within my future career.

Within these modules, I was able to relate to the content and the skills being offered by professors with a wealth of knowledge. I could imagine myself, in their shoes, after years of experience working and learning, teaching to another young Scottie. I believe I enjoyed these areas because they required creative, critical thinking, and I aspire to have a career where I am creatively challenged and learning every day.

However, even though I enjoyed these areas of the program, it was the modules more tailored to our careers and futures that I found most rewarding. The modules spent with Catherine Neiner provoked me to ask questions about my future that I hadn’t considered. She was frank and honest about the future of working as women, and I appreciated that– often times at Agnes Scott, we live in a bubble where we think the future will tailor itself to us, and that is simply not the case, especially in the business world. It was incredibly refreshing to hear a powerful woman say, “you may be called brazen, bossy, or bitchy. Here’s why you should be proud of that.”

Similarly, I found our session with Gail Evans to be, quite frankly, the most rewarding three hours of my academic career. She encouraged me to think of myself, my personal brand, and my future in ways that I had never before. I was taught why ‘hardworking’ is a bad word, and that if I want to promote myself, I need to tailor my language to my own success. Instead of referring to myself as hardworking, driven, and creative, I will now refer to myself as productive, promising, and passionate. Because, as Ms. Evans said, that is how a CEO refers to herself. I have already engrossed myself in the book she gave to me, and I plan to make my mother read it as well.

 

While I immensely enjoyed my three weeks in the Bridge to Business program, there were some things that I definitely knew weren’t for me. My father is an accountant, but staring at financial statements, fiddling with Excel, and pulling my hair out over ratios and vertical analyses just wasn’t for me. Still, I gave it my best effort, and I was pleasantly surprised at the rewarding feeling I felt when all the numbers equaled 100.

I also was very frustrated with the Strategic Management Simulation, Minnesota Micromotors, which was disappointing, as I found the Strategic Management module fascinating. I always love to focus on the big picture, and I felt I did well in the ‘strategic plan for Agnes Scott’ activity. However, after I got fired three times, I figured that I can still think big picture and focus on the future of an organization– I’ll just leave the customer service, price management, and research & development to the experts.

I think I was fascinated by Strategic Management because it closely relates to Marketing and Brand Management, two things I see in my future. In marketing and brand management, you must think creatively and anticipate what the customer wants to see, and needs to see, in the future. I think Strategic Management combines all those things, and maybe, is the culmination of many different aspects of a business.

Another module I struggled with was negotiating– kind of. It wasn’t as if I didn’t do well in the activities– I did extremely well. I just felt so unconfident– which is very unlike me. I love to speak publicly, argue, and get my way– negotiating comes naturally to me. However, afterward, when thinking about the future and negotiating my future salary– a topic discussed with Dawn Killenberg– I felt worried.  What if I’m not worth the price I ask for? What if I’m laughed at? What if my job is taken away from me?

All these questions may seem silly, but I called my mother, and she confessed that she has the same fears. She has negotiated dozens of salaries and raises from dozens of employers over her incredibly long and successful career. And yet, she fears what I fear. Is she worth the money? Is she asking for too much? Too little? What will they think of her?

I wonder if men experience these fears as women do. I wonder if, by-product of more and more women entering the workforce and negotiating for themselves, these fears will slowly become less ingrained in our minds. I hope so because I never want to make any less than a man, especially if he is equally or less qualified than me. But before these past few weeks, I hadn’t even considered, nor confronted, these fears that now seem ever present in my mind.

 

Maybe that is the real reward of the Bridge to Business program– learning valuable life skills that will help me in my future profession, like being able to confront my fears over negotiation, or balance a budget even though the black and white numbers make my vision swim and my brain hurt. I know I will be successful in marketing, or brand management, or social media, or whatever my specialty may be. But I know I will have to confront what I am less excellent at– that’s life, and that’s business.

The Bridge to Business program taught me that, and those lessons are valuable– more valuable than being assured that yes, I’m good at marketing and more valuable than reassuring me that I want an MBA. I knew those things before I enrolled in this program. But to learn to face your fears and try something new, and at the end of the day, still want to dress in a suit and go to work in an organization, trying to change the world or the marketplace, is something unique. And it is definitely unique to the Bridge to Business program.

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Ma grande famille http://zoekatz.agnesscott.org/global-learning/ma-grande-famille/ http://zoekatz.agnesscott.org/global-learning/ma-grande-famille/#respond Sun, 25 Mar 2018 20:21:52 +0000 http://zoekatz.agnesscott.org/?p=222 Global Learning at Agnes Scott means learning a new language. I’ve been taking French for six years now! Here’s an essay I wrote for French 202.

Ma grande famille

J’ai une grande famille. En plus de ma mère et mon père, j’ai deux sœurs, deux frères, deux nièces, un neveu, et deux chiens! Décembre Dernière, toute ma famille a visité pour la fête des Lumières, Hanoucca! C’était bon de visite avec ma famille.

Pour Hanoucca, mon frère, Douglas, a voyagé de New York avec ma nièce, Ashley, et mon neveu, JJ. Je n’ai visité pas Douglas depuis longtemps. Il est plus âgé que moi. J’ai 21 ans, mais Douglas a 34 ans. Nous avons visité plus souvent avant j’ai quitter New York. Ma nièce, Ashley, a treize ans. Elle est très intelligente et elle aime écrit. Mon neveu, JJ, a sept ans. Il est un petit comédien!

Ma sœur, Bethany, visite de la Virginie, avec son mari, Tommy, et son bébé! J’aime visiter avec ma sœur parce que son bébé, Ava, a un an et elle est trop mignonne!  Elle est très amusante à regarder. Ava apprendre à parler et à marcher. Elle a de grands yeux bleus et des cheveux blonde. J’aime visiter avec Bethany, Tommy, et Ava beaucoup. Ava me rend très heureuse.

Mon frère, Harrison, a 24 ans. Il vit en Atlanta avec son chien, Max. Il a conduit d’Atlanta pour Hanoucca. Harrison travaille avec les ordinateurs, et il est très riche. Je l’aime, mais il me met en colère. Toutefois, il me fait rire aussi.

Ma petite sœur, Frances, a quatorze ans. Elle habite avec mes parents. Elle est une gymnaste. Dans son école, elle est très populaire. Elle a beaucoup ses amies. Elle est très dramatique. Nous nous battons, mais je l’aime.

Nous sommes restés à la maison de mes parents. Je vis avec mes parents quand je ne suis pas à l’école. Mes parents, Alan et Laura, sont très intelligents. Alan a son MBA. Laura a sa MBA aussi. Alan travaille pour l’institut de technologie de Géorgie, et Laura travaille pour l’université de Géorgie. Ils vivent à Athènes, en Géorgie.

Mon père, Alan, est juif, et ma mère, Laura, est catholique. Nous célébrons Noël et Hanoucca. J’aime quand nous sommes tous ensemble. Parfois, nous célébrons Hanoucca ensemble, et parfois nous célébrons Noël ensemble. Quand nous sommes ensemble, nous sommes bruyants et fous. Nous sommes comme un cirque! Ma famille m’énerve de temps en temps, mais je les aime!

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Center for Digital and Visual Literacy http://zoekatz.agnesscott.org/cdvl/cdvl/ http://zoekatz.agnesscott.org/cdvl/cdvl/#respond Mon, 21 Aug 2017 23:48:36 +0000 http://zoekatz.agnesscott.org/?p=100  

I’m a proud Center for Digital and Visual Literacy tutor!

I was hired at the end of last school year to teach my peers and professors about all things digital and visual. This includes video software, photo manipulation software, graphic design, blogging, coding, and more! I couldn’t be more thrilled for this opportunity.

My first assignment for my new tutoring job is to answer a few questions– so here we go!

What is your major/area of academic interest?
I am a Business Management/History double major. Specific academic interests of mine include Marketing, New Media studies, Creative Leadership (for business), and Renaissance and Religious studies (for history). Thanks to the Summit program, I’ll graduate with a certificate in Global Learning!

What are your post-graduate goals?
I want to be the Marketing Director of the Pittsburgh Penguins! I am fascinated by sports marketing, and I want to use my education to take sports media into the future.

I would also love to work for Women’s professional leagues, such as the National Women’s Hockey League, the National Women’s Soccer League, or Team USA! Empowering women through sports is something I’m passionate about, so that would be an amazing opportunity!

What excites you about working in the Center for Digital and Visual Literacy?
I am excited to have specific time devoted to working on creative pursuits. Photoshop, documentary making, writing– I’m an extremely creative person, but I have trouble setting aside time to relax and express my creativity, which leads me to feel tense and stressed out! I’m excited that I’ll have a job where creativity is mandatory, and I can work on my other passions that aren’t school!

What specific or unique skills do you bring to the CDVL community?
I think my creativity is unique. I think of things as if I’m directing a movie or writing a play– two things I’ve done! I’m all about the aesthetics and functionality of a project. I also have a lot of experience coming in– I work in Social Media/Marketing for my real, actual job, and that’s taught me a lot. I can’t wait to share my knowledge with others!

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Mean Girls and the Breakdown of Communication http://zoekatz.agnesscott.org/coursework/mean-girls/ http://zoekatz.agnesscott.org/coursework/mean-girls/#respond Sat, 06 May 2017 19:47:39 +0000 http://zoekatz.agnesscott.org/?p=95

For extra credit in my BUS-202 class, I wrote a short paper about the communication exchange in a scene from Mean Girls. The paper is short, sweet, and well-written, as well as fun!

Mean Girls and the Breakdown of Communication: an Analysis

In the 2004 film Mean Girls, there is a famous scene in which the Plastics: Regina George, Cady Heron, Karen Smith, and Gretchen Wieners conduct a four-way phone call rife with gossip, name-calling, and faux-friendship of the most famous frenemies in cinema history. The film, written by comedy queen Tina Fey, was created to highlight the complex relationships between teenage girls in America’s school system. The film draws inspiration from the book Queen Bees and Wannabes: Helping Your Daughter Survive Cliques, Gossip, Boys, and the New Realities of Girl World, a psychological self-help book written by Rosalind Wiseman.

The two-minute scene begins with a conversation between Regina and Cady, gossiping about their friend Gretchen. The film reveals that Gretchen has been listening to Regina gossip about her. Gretchen, leaving Cady listening on the other line, then calls Karen to expose what Regina said about Karen. However, before she can talk to Karen, Regina calls Karen to ask her to go out, even though she told Cady she was going to bed. Gretchen then reveals to Karen that Regina called her a slut, to which Cady responds to the ‘harshness’ of the revelation. Karen, offended by Regina’s comments, tells Regina that she can’t go out with her because she’s sick, leading Regina to respond with the now-famous quote, “Boo, you whore.”

This scene is an example of a dense, decentralized communication network. No single member of the foursome dominates the network, and because they can call members of the network independently of another member of the network, this scene is an example of an All-Connected Network. The density of the network supports this example: there are any number of potential connections between the four, as demonstrated in the scene when they call various members independently of a single, information-knowing member.

Additionally, this scene is an example of informal interpersonal communication through both gossip and rumors. The four girls are not communicating effectively, and there are many individual barriers to communication within this exchange. First, the girls all have differing perceptions of each other. Gretchen and Karen believe that Regina is their friend, while Regina’s actions prove otherwise. Regina also believes that Cady is ‘on her side’ so to speak, and doesn’t know that Cady is acting as a middleman to the rest of the girls. Second, there is a myriad of status differences between the girls. Regina is perceived to be the leader, thus making her word law to Gretchen. However, Cady does not see Regina as the leader and sees herself as outside of the network. This outsiderness allows her to be objective to Regina’s gossip and allows her to pass the information on to others without fear of retribution from Regina. Finally, there are different levels of self-interest within the exchange. Gretchen wants to know if Regina is mad at her, while Karen is interested in pleasing Regina until she learns Regina calls her promiscuous. Cady is attempting to sabotage the Plastics with her other friends, Janis and Damian. All these combined lead to a breakdown of communication between the group. However, no one in the group is interested in overcoming the individual barriers to effective communication.

This scene and the rest of Mean Girls is a fascinating look into the exchanges between teenage girls, and the effects they can have on the individual. While the film is a comedy, it shows the misunderstood behavior and communication of one of the most complex organizations in the world: the teenage girl’s clique. While this film may not be viewed as a ‘serious’ topic, the book it is based on certainly is serious, and I believe much can be revealed about organizational behavior and communication within larger, professional organizations if we continue to analyze the relationships and exchanges between teenage girls.

References

Hitt, M. A., Miller, C. C., & Colella, A. (2011). Organizational Behavior: a Strategic Approach
(4th ed.). Chichester: Wiley.

Michaels, L., Fey, T., Waters, M. S., Lohan, L., McAdams, R., Meadows, T., Poehler, A., …
Paramount Pictures Corporation. (2004). Mean Girls. Hollywood, Calif: Paramount. Retrieved from https://youtu.be/hVN7TJRRskQ

Wiseman, R. (2009). Queen Bees & Wannabes: Helping Your Daughter Survive Cliques, Gossip, Boyfriends, and the New Realities of Girl World (3rd ed.). New York: Three Rivers Press.

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Documentary Media Treatment http://zoekatz.agnesscott.org/media/documentary-media-treatment/ http://zoekatz.agnesscott.org/media/documentary-media-treatment/#respond Tue, 25 Apr 2017 15:44:37 +0000 http://zoekatz.agnesscott.org/?p=71 For ART-296: Documentary and Visual Media, we had to create a treatment for our final project: a 5-7 minute documentary. Here is my treatment!

 

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